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Performing Arts PDF Print E-mail

Louize Lyle
PERFORMING ARTS DEPARTMENT

Louize Lyle
Acting Head of Department



PERFORMING ARTS STAFF
Louize Lyle
Head of Department (Acting)
Luke Lanham
Junior & Senior Drama
Bruce Barnett
Instrumental Music Program
Michelle Manson
Film, Television & New Media
Liz Garbacz
Junior Drama - Pomona Campus
Denise Northfield
Junior & Senior Drama, Junior & Senior Music
Peter Gorman
Junior Drama, Senior Drama, Entertainment
Vanessa Presling
Film, Television & New Media
Sharon Harris
Junior & Senior Dance
Andrea Risby-Jones
Strings Music Program
Amanda Harvey
Junior & Senior Dance
Pam Sage
Junior & Senior Music

SUBJECTS COVERED

JUNIOR SENIOR
Bullet DRAMA Bullet DRAMA
Bullet MUSIC Bullet MUSIC
Bullet INSTRUMENTAL MUSIC Bullet MUSIC EXTENTION
Bullet DANCE Bullet INSTRUMENTAL MUSIC
Bullet DANCE
EXTRA CURRICULAR Bullet FILM, TELEVISION AND NEW MEDIA
Bullet MUSICAL Bullet ENTERTAINMENT ( CERTIFICATE II LIVE PRODUCTION AND EVENTS)
Bullet FASHION SHOW
Bullet TALENT QUEST
Bullet MUSIC EISTEDDFOD


QUICKLINKS

Dance Drama Film & TV Music Instrumentation


JUNIOR DRAMA

Drama is available to all year 8 students for one term, and is offered as an 18 month course from year 9 to half way through year 10 as one of their Arts KLA electives.

COURSE OVERVIEW

Do you enjoy acting? Do you like creating dramatic scenes and designing costumes, props and sets? Then you should consider choosing Drama.

This subject is very practical and has been designed for students to specialise in the areas of dramatic action, developing script work and learning about different styles of Drama. Theory and practical aspects of the course are integrated together.

AREAS OF STUDY:

Bullet Forming - monologue construction, scriptwriting,
Bullet Presenting - performance of drama e.g. plays, puppet shows, collage drama etc.
Bullet Responding - to live theatre and peer performances.

ASSESSMENT SUMMARY

Assessment covers performance work, the creation of dramatic works, research and written assignments.

HOMEWORK

Practising practical work at home is essential. Theory notes should be revised and developed towards assignment writing. Completion of in-class tasks at home.

RESOURCES

Students may need to provide specific Costumes and Props as required for performances.

STATIONERY

Bullet An exercise book.

ADDITIONAL INFORMATION

Students are encouraged to attend various performances during the year.

Additional Junior Drama Information (Max file size 17k)

Junior Drama 1 Junior Drama 2


SENIOR DRAMA

AUTHORITY

The Senior Drama programme is designed to provide students with a broad range of experiences and skills in drama and a theatrical context. The dimensions of the course consist of:

Bullet Forming activities—including script writing, improvising and directing.
Bullet Presenting activities—performing scripted and student-devised works in a variety of styles.
Bullet Responding tasks—including researching, discussing and written analysis of live performances.

COURSE OVERVIEW:

This course of study achieves a balance of learning experiences through applied knowledge of dramatic languages and dramatic perspectives.

Dramatic languages can consist of:
Elements of drama: role, relationship. situation, tension, language, focus, time, place, space, symbol, mood, movement.
Skills of performance: acting, designing, directing, dramaturgy, ensemble work, using performance technologies, playbuilding, scriptwriting, reviewing.
Dramatic styles and their conventions: heritage styles (eg: Absurdism, Epic theatre, Realism, Elizabethan theatre) and contemporary styles (eg: collage drama, forum theatre, physical theatre, process drama) and conventions (eg: gestus, fourth wall, non-linear narrative, multi-media, through-line)
Text: scripts, improvisations, student devised dramas
Context: dramatic context, real context, and general contexts (historical, sociological, cultural, political, environments, philosophical, personal, geographical, technological)
Dramatic perspectives can consist of:
Heritage: defined by the dramatic languages emerging before 1980, including western, non-western and Australian styles and their conventions, significant playwrights and dramatic texts and contexts reflective of traditional and cultural understandings and issues.

ASSESSMENT SUMMARY: (Over two-year period)

Students are assessed equally over the three dimensions above.

HOMEWORK REQUIREMENTS:

Practising practical work at home is essential. Theory notes should be revised and developed towards assignment writing. Completion of in-class tasks at home.

ADDITIONAL INFORMATION:

Students are encouraged to attend various plays and films during the year, one of which will be for assessment purposes. The cost of this last excursion is additional to textbook contribution payments. Participation in these events broadens students’ experience, and this directly impacts on skill development.


DRAMA COURSE OVERVIEWS
(Printable Documents - approx 20k each))

Year 11 Unit 1 Year 12 Unit 4
Year 11 Unit 2 Year 12 Unit 5
Year 11 Unit 3 Year 12 Unit 6

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FILM, TELEVISION AND NEW MEDIA



COURSE OVERVIEW

Film, television and new media are now our primary sources of information and entertainment. New technologies and changing social and leisure patterns have caused a cultural revolution that requires students to have greater critical awareness of popular culture.

In the FTVNM course, students are involved in communicating and evaluating ideas and information in the form of design proposals, productions and critiques.

The design component of the course allows students to creatively develop storyboards, shooting scripts, short film proposals for documentaries and narratives and film scripts. Students generate and synthesise ideas, research and develop material, and solve problems.

Production allows students to produce a series of digital films including promotional videos, film trailers, documentaries and short narrative films. Students use production practices such as gathering and selecting source material, identifying, recording, capturing, compositing, editing, mixing, and manipulating images and sounds. They also learn how to meet deadlines, organise and manage physical and human resources, solve problems, negotiate, collaborate and assess risks.

In critique students analyse and evaluate products and contexts. This includes formal essays, feature articles and presentations about a range of media products and issues including film genres and styles, propaganda, representations of minority groups and the impact of new media. Students learn how to research, interpret, compare, judge, justify discern and challenge ideas to critically reflect on their own and others’ products.

The skills developed by students in FTVNM are not only of vocational value in the ever expanding ‘information’ and ‘creative’ industries, but also ecourage them to be independent learners, critically aware viewers and creative and informed citizens.

COURSE OUTLINE

Year 10

Bullet Visual Literacy: shot types, framing, composition
Bullet Digital Still Camera: making meaning with still images
Bullet Moving Images: film language, editing, lighting, sound
Bullet Constructions of Reality: representations, audience

Year 11

Unit 1: Semester 1: Introduction to Film, Television and New Media (20 weeks)

Bullet Media codes and conventions
Bullet Video Camera and editing basics
Bullet Digital video production basics and roles
Bullet Making meaning with moving images
Bullet Workplace health and safety requirements
Bullet Design basics

Unit 2: Semester 2: Reel Images (18 weeks)

Bullet Popular culture
Bullet Genre conventions, stereotypes, representations
Bullet Social values & discourses
Bullet Audience
Bullet Design: character outlines and treatment
Bullet Film Trailers

Year 12

Unit 3: Semester 3: In Search of the Truth (20 weeks)

Bullet
Representing reality
Bullet Documentary production: styles, elements, techniques, codes
Bullet Social commentary and contexts: political, ideological, cultural
Bullet Documentary scripting
Bullet Resistant readings to controversial documentaries
Bullet Propaganda: Techniques of manipulation and persuasion
Bullet Role of institutions: media, government, interest groups
Bullet Alternative representations of political / ideological issues

Unit 4: Semester 4: Alternatives to Hollywood (10 weeks)

Bullet Film styles and artistic movements
Bullet Directors
Bullet International cinema: cultural and social conventions
Bullet Aesthetics of film
Bullet Short Films

Unit 5: Semester 4 Term 4: Trends in New Media (post verification) (6 weeks)

Bullet Current developments and trends in New Media
Bullet New Media forms: Reality TV, Video games, Websites
Bullet Technology and New Media: New codes and conventions

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DANCE STUDIES
Creative Arts SAS


Introduction:

The study of Dance is enriched by experiences in Performance, Choreography and Appreciation. Over the course of study, students are exposed to a variety of dance genres and develop an awareness of dance in various contexts. By the end of the two year course, students will be qualified as an Associate Teacher in Australian Teachers of Dancing (ATOD), which is a nationally recognised Dance Syllabus. This gives the students qualifications to teach in private dance studios or open their own. Students will also have a Certificate III in Community Recreation specialising in Dance. This is a TAFE equivalent qualification.

The course costs $1250 upfront or $300 per module. This includes all work booklets, journals, master classes, exams, specialist guest teachers and certificate.

Students may still participate in Senior Dance and not pay for the full course. This will mean no cost for the two years, but will also mean that no formal qualifications will be achieved.

Students learn:

Bullet
to express personal or societal ideas and to tell stories
Bullet skills of communication and improvisation
Bullet skills of personal problem solving
Bullet group decision making and planning and organising activities
Bullet to convey ideas to an audience
Bullet to develop their personal expressive power to convey meaning through dance
Bullet to achieve satisfaction through the physical expression of a creative idea
Bullet to build self-confidence and physical capabilities
Bullet how and why dance is made
Bullet techniques used in design
Bullet to build their knowledge and understanding of dance in its context
Bullet the skills of analysis interpretation, evaluation and research when critiquing dance and dance works


Course Outline:

Semester 1: Gold Bar Jazz
Introduction to Dance and Teaching
Semester 2: Safe Dance Practices
Best Practices in the Learning Environment
Semester 3: Choreography Techniques
Teaching in the Field
Semester 4: Best Practices in the Learning Environment 2
Business Practices

Benefits of Dance / Possible Career Paths:

Dance education provides another mode of learning and a means of identifying and developing special interests, needs and talents not emphasised in other educational areas. It also provides a basis for post-secondary involvement in dance and related arts for employment and leisure. Students’ self-confidence and the necessary social skills to work effectively, individually and in teams are developed within dance education.

Dance heightens awareness of, and develops respect for the body and increases the quality of a person’s physical well-being. Creative and problem-solving abilities are fostered through research, synthesis and communication of ideas, images and feelings. The study of dance in its wider context promotes within students an understanding of their own culture, other cultures and the world at large.

Quote: “Quality choreography and performance demand intellectual rigour from bodily-kinaesthetic, spatial, musical, interpersonal and intrapersonal intelligences.” (Gardner)

Dance Flow Chart

Dance Flow Chart


Each document below is approx 200k
Course Detail
Dance 201 Dance 202 Dance 301 Dance 390

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INSTRUMENTAL MUSIC

The Instrumental Music Program at Noosa High offers tuition in strings (violin, viola, cello and double bass), brass (tuba, euphonium, trombone, horn and trumpet), woodwind (flute, clarinet, saxophone, oboe and bassoon) and percussion (drums, traps, timpani, keyboard percussion and drum kit).

Participants in the program are able to take advantage of performing in a variety of ensemble settings: string ensemble, trios, quartets, concert band and jazz ensemble.

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MUSIC

Music is studied by all students in Year 8 and as an elective subject throughout Yrs 9 -12. In year 12, Extension music may also be studied in conjunction with the parent subject by students who wish to specialise in Performance, Composition or Musicology.

In Music, a wide range of musical styles and genre (blues, rock, pop, classical, film music) are studied and assessed within the three main areas. Analysing repertoire develops skills in the analysis of written scores, recordings and performances, with students investigating the use musical elements (i.e. rhythm, melody, harmony, texture, instrumentation and form). Composing tasks allow students to use their acquired knowledge to create original compositions or arrangements using music software to produce their scores in printed or compact disc format. Performing tasks develop students’ skills in solo and ensemble performance either vocally or instrumentally, with repertoire being selected from a wide range of musical styles.

All music students are encouraged to be involved in the school choir and instrumental groups. Woodwind, Brass, Strings and Percussion instruments are taught by instrumental music teachers during school hours. Throughout the year there are opportunities for performances (either in the musical or fashion parade, talent quest, extension music recitals, school year parades, Award nights, and in the wider community at Anzac Day services, music festivals and eisteddfods)

For more details about the content of each unit, select from below (max size 35k).

Mus101 Mus201 Mus202 Mus301 Mus390 Year 11 Year 12 + Extension

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Latest Events
Year 8 & Year 9 Exams
November 30 (8:00 am) - December 03 (11:59 pm), 2009
(General) Year 8 & Year 9 Exams

Staff briefing - School Assembly - Year 12 Exits Ready
December 1, 2009 (8:00 am - 11:59 pm)
(General) Staff briefing School Assembly Year 12 Exits Ready

Monitoring Due
December 3, 2009 (8:00 am - 11:59 pm)
(General) Monitoring Due

Year 8 & 9 Student Benefit Dreamworld - Year 10 & 11 Reports Posted
December 4, 2009 (8:00 am - 11:59 pm)
(General) Year 8 & 9 Student Benefit Dreamworld Year 10 & 11 Reports Posted

P & C Meeting - School Council - Year 8 & 9 Results entered
December 7, 2009 (8:00 am - 11:59 pm)
(General) P & C Meeting School Council Year 8 & 9 Results entered

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